Final Cut Pro “X”

“Good news for the all those video editors out there that use Final Cut Pro as the totally overhauled and long awaited Final Cut Pro X has just been announced and all I can say it has shot to the top of my MUST HAVE list. Over the past few years it has became a lot easier to start shooting and editing your own documentaries, vlogs or if your keen enough your very own full length movie. Video cameras have improved majorly from the handheld ones you used to record your kids birthday to the newer generation of flip cameras so you are getting amazing looking HD footage and only spending anything from £100 upwards. So now you have your camera your going to need to edit it all together, Final Cut Pro has been about since 1998 and in that time it has been responsible for some of the best things to hit our TVs and cinema screens in those 13 years. Its amazing power, streamline interface and ease of use made it my first choice but after being a user for the past eight years I wasn’t enjoying seeing Apples competitors improve there editing software’s and have me thinking about jumping ship but they have managed to catch me before the leap with this jaw dropping update.

OLD VERSION

Firstly the most noticeable change as soon as you open the software is the new GUI (Graphic User Interface) which straight away looks beautiful but also makes you feel like you are about to go back to square one finding your way about but even though there are a few changes or ways of accessing your tools you soon realize its no so bad. Next big thing is when working with video a lot of the time you need to render your work if you want to see how it looks with an effect applied etc which means stopping what you are doing while this takes place and if you want to put that into prospective it takes Pixar a minimum of 144 hours to render one second of there movies YES one second! This won’t be a problem with Final Cut X is it has background rendering so you will not be disturbed with your edit. This is fuelled by another big change which is the software is now 64bit instead of 32 bit which means even if you had more than 4GB of Ram in your computer Final Cut could only take advantage these 4GB but not anymore it will take advantage of as much as you can afford to stuff in there and with this new found power you can now edit 4K footage which is four times bigger than 1080p HD, WOW.

NEW VERSION FCP X

So when I heard about the new update was in the pipeline I wasn’t sure what would be improved but then I realized if something isn’t broke don’t fix it just give it more power and a bigger heart.

Apple is hoping for a June launch with a price tag of $299 but there is no mention yet about the rest of the Final Cut Studio gang like Motion, Color, Compressor and Final Cut Express but I am sure Apple has as covered so I can’t wait to see what they have in store after this exciting update on Final Cut Pro.”

CITED FROM AND REPRODUCED WITH PERMISSION FROM:

KEEPING THE BEAT TECHNICAL!!!!!

http://www.facebook.com/scott.granger3

GET YOUR DOODLE ON!!!!!!!!!!!!!

“It's here: The world's first customizable PERSONAL speaker is now on Zazzle! Perfect for travel, parties, or just a day at the beach, our customizable Doodle speaker is ultra-portable and ultra-fun for everyone…So, shop for yourself, or shop for a Father's Day gift (hint, hint), and you'll be sure to end up with an awesome gadget that makes your music look as good as it sounds!!”  IT’S THE PERFECT ACCESSORY FOR YOUR IPOD OR MP3 PLAYER!

Product Details

• Depth: 0.88"
• Width: 2.44"
• Length: 4.56"
• Weight: 9.6oz
• Power: 2 AAA batteries or USB cable (included) to power via your computer
• Works with ANY standard 3.5 mm headphone jack audio product
• Printed in the USA
• 100% satisfaction guarantee
• Ships in 5-7 business days

• The Doodle speaker is compatible with any standard music device that connects to a 3.5 mm headphone jack. Common devices include desktop computers, laptops, MP3 players, iPhones, iPads, cell phones, and the list goes on!

• Not only do you get a one-of-a-kind speaker, but it comes with a USB power cord so you can enjoy your music all day long.

• (CITED FROM:http://www.zazzle.com/cr/design/pt-doodle )

KEEPING YOU TRENDY & IN THE KNOW AT ALL TIMES!!

UNIVERSAL AUDIO UAD-2

Being a producer, sound engineer or any job that requires you to work with audio maybe cheaper than it used to be compared to 10 years ago but lets not kid ourselves its still very expensive.  From nice speakers to the best sounds and plug ins the money quickly starts to stack up but the main expense id say goes on the computer that runs everything .  From my own experiences having any form of PC control your studio is a big fat no no so a high powered iMac, Macbook Pro or Mac Pro was the only way for me but after a while you will get to a point where your productions get bigger and you wanna run a lot of high end plug ins to push your music to a new level which is gonna cause your Mac to crap out at some point.  So what's the solution to this problem? Spend another few thousand on the latest fastest computer?  I DONT THINK SO!!! If only there was something that could help take the strain off my computer? Well there is, Introducing Universal Audio's UAD-2 Duo & Quad Satellite  Firewire 800/400 DSP Accelerators that are designed to take the strain off your CPU and allow you to access their collection of high end plug ins that include some of the big boys in music production and mastering from Neve, Studer, Solid State Logic, Lexicon plus many more.
With 5 models available starting around £719 compatible on modern Intel-based iMac, Macbook Pros and Mac Pros and good to go whether your running  Pro Tools, Logic, Cubase, Nuendo or even Performer.  Like the sound of this? Then head over to www.uaudio.com to see for yourself what they can offer you on your production journey.

REPRODUCED WITH PERMISSION FROM:

SCOTT GRANGER’S PRODUCERS CORNER - AQUASKY

What's your set up for making tunes?

Cubase 4 and Ableton rewired with Cubase. Mostly we’re running all Vst software, but we have a bunch of old synths and other analogue hardware we sometimes use if we fancy it or the need arises.

How do you approach an track/remix?

We always have the same approach in that we get a few basic ideas down, and make sure the parts are really firing before we move on to arranging the track. Usually we set up Cubase and Ableton on a loop, either 2 / 4 or an 8 bar, and just line up all the tracks underneath each other and get all the parts running together and make sure we get the groove locked down. Then we arrange it, often we may go back and tweak some of the sounds e.g the drum sounds once its arranged to make sure it all sounds fat as possible. We generally try to mix down the tune as were going rather than making a tune and then "mixing" it at the end.

Favorite Synth/Plug ins?

We have found the Sonnox stuff to be really good especially the limiter and Eq. Also cubase standard stuff as its pretty good, looks boring but does the job, Synth wise at the moment N.I Massive as its got the most flexible modulation routing and automation.

What you working on just now?

A remix for Engine-Earz experiment, one for The Squatters, 2 EPs for Lee Mortimers Wearhouse label as well as tracks on Passener Records. So watch out for them and also the Black Noise sample pack for our sample label Monster Sounds!

Track that changed your life and made you wanna produce music?

It’s hard to pick one but I guess its gotta be something from the early 90s so maybe LFO by LFO. I always found the clean sub bass in this fascinating!

REPRODUCED WITH PERMISSION FROM TILLLATEMAGAZINE.COM & SCOTT GRANGER:

Pioneer Exclusive 'nexus' Preview with James Zabiela

NEW DJ VIDEO TEMPLATE SITE!!

DJ Video Templates - What are these? DJ Video Templates are Catchy visually exciting 3-D graphically designed short intro videos with your Brand, Name or Website.  DJ’s can use these video intros on plasma screens, in front of their remixes anywhere you want to be identified.  Anyone can use these for broadcasting on YouTube for identification and make your brand known.

ABOUT THE DEVELOPER:

Rob Nadigel as his alter ego DJ Emotion has been DJing around the world since he was 16.  Growing up in Montreal, Canada he was able to spin at the legendary musical hotspot’s hottest clubs including Stanley’s Pub & DJ’s Pub.   When he relocated to Calgary, Alberta he continued to spin, but he also found a passion for working with underprivileged children and served for years as a Big Brother with the organization of the same name. 
Adventure seeker Rob joined Princess Cruises and sailed with them as resident DJ for over 10 years.  It was truly the adventure of a life time.  From his mid-twenties to mid- thirties he traveled the globe on a luxury liner.  He explored the world and was privileged to see exotic locales.  One of his many passions during these adventures was documenting the highlights of his travels on video (some of these can be found on YouTube).

Born with an entrepreneurial spirit Rob took every adventure in life and turned it into an opportunity.  At an early age he purchased vending machines and arcade games later selling vinyl to other DJs and later still started recruiting fellow DJ’s for positions on various other cruise lines.
Now, with over 30 years of industry experience including his connections with the Cruise Ship Industry, Rob has embarked on a new journey.   Rob now dedicates his time sharing his love of being a DJ by creating helpful products, apps and consultation for those wishing to DJ at sea or dry land.

HERE IS A SAMPLE THAT WAS CREATED FOR FETTY BE’S BUZZ BY DJ VIDEO TEMPLATES. THERE ARE MANY MANY MORE TO SELECT FROM. We plan on using this at the end of our Fetty Cams etc.

Please visit  http://www.robnadigel.com/dj-video-templates.html for more information!

Keeping the beat FRESH!!

Stanton M-203

REPRODUCED AND CITED WITH PERMISSION FROM TILLLATEMAGAZINE.COM

 

“Stanton have introduced a new entry level mixer for those bedroom DJs who are just starting off and “wanna” master the trade without blowing hundreds or even thousands on equipment.  The M.203 breaks all barriers in terms of what DJ's have come to expect in its price class. The clean and intuitive layout was designed by working DJs with the goal of giving aspiring DJs a comfortable layout with a minimum of fuss – yet even experienced pros will be able to appreciate the robust feature set of the M.203.

"There's not a lot of mixers at this price point offering the rugged build quality, 3-band EQ with complete kill, soft start, and versatile "switching" inputs in such a compact 2-channel design,” offered  International DJ and Stanton Product Specialist Darrin “B-SIDE” Young. “This mixer gives you a lot more for your money including "FET Circuitry" on the crossfader. The M.203 provides DJs with every feature they need to start out, grow and excel in their craft – it definitely makes the Cut!”
The M.203 not only provides an amazingly comprehensive feature set, but also shares the same attractive design and rugged steel inner-chassis construction as the M.207, giving it a look and feel far more expensive than its price would indicate.”

Keeping the beat technical with Tilllatemagazine.com’s SCOTT GRANGER!

Pioneer S-DJ08 & S-DJ05

REPRODUCED AND CITED WITH PERMISSION FROM: TILLLATEMAGAZINE.COM 

“Pioneer introduce what have to be some of the sexiest speakers I’ve seen for a while but these aren't just all looks these babies pack the punches too.  Designed specifically with DJ/Producers in mind and harnessing Pioneers long-standing history of speaker production, the S-DJ08 and S-DJ05 deliver accurate, neutral sound professionals can rely on - while their innovative features make them adaptable for all your studio roles.
Whether you are DJing, producing music or auditioning tracks, the S-DJs deliver the high-quality sound you would expect from Pioneer. A built-in linear equalizer enables you to fine-tune the frequency to suit your activity, while a unique input switching function enables effortless movement between four separate sources. Plus these are the first speakers that can change settings using an external manual controller .
Tested and perfected by renowned international DJs such as Steve Mac and Paul Woolford, the S-DJs boast the clarity, quality and flexibility to meet the demands of today's DJ-come-producer. And with their sleek design and gun metal woofer and controller, they are the ideal addition to your studio.
Top producer Matt Edwards of RADIOSLAVE says: "These monitors are one of the best products I have seen or heard for a long time and are perfect for my home studio setup! The controller is super dope. Sound wise theyre spot on and Im sure everyone will want a pair."

I was luck enough to have a listen to these at the BPM show and i was blown away, finding a speaker as beautiful as it is sounding is something you will struggle to find but it is Pioneer after all.

The studio friendly S-DJ08 (8-inch) is available from late December and the smaller all round DJ lifestyle choice S-DJ05 (5 inch) from early January 2011”

KEEPING THE BEAT TECHNICAL!

SCOTT GRANGER

Producers Corner with BLAME

CITED FROM NOVEMBER EDITION OF TILLLATEMAGAZINE.COM WITH PERMISSION.

What's your set up for making tunes?

I have logic on my G5 mac, SSL X-desk, juno & prophet synths, waves, fabfilter, melodyne, slate and izoptope plugings. Im still a big fan of outboard gear so always turn to my junos and prophet first!

How do you approach an track/remix?

Every track is different, but i like to make sure that the vibe and feeling is captured from the start. No amount of plugins and technical stuff can inject that soul into a track if its missing. A lot of time is spent capturing that moment, and for me thats where the fun is in making music!

Favourite Synth/Plug ins?

I love my old roland Juno synths, they get used all the time. One of the most incredible bits of software for me currently is Celemony melodyne, its amazing how you can edit your audio just like midi, and I use it to fix problems as well as creatively.What you working on just now?
Ive just finished my album "The Music" and am now working on different remixes of the singles, as well as producing tracks for both Jocelyn Brown and Ed Drewetts new albums.

Track that changed your life and made you wanna produce music?

Strings Of Life was a track that really captured everything i loved about music, and had a massive impact on my music. It summed up everything i was looking for, incredible music, heavy basslines and punching drums.

Where can we find out more about you?

Head over to www.myspace.com/blamethemusic

BRINGING YOU THE TECH BEAT NOW FOR THE BUZZ!!

SCOTT GRANGER!

DENON HAT TRACK BY SCOTT GRANGER

COURTESY OF TILLLATEMAGAZINE.COM

 

‘In August at the DJ Expo in Atlantic City, Denon DJ dropped three new products. First up was the Denon

DN-MC6000, which ushers in a new product category as an integrated full blown mixer and ‘dual deck’

MIDI Controller.

This flagship mixer/MIDI Controller combines a 4-channel/8- source standalone digital

mixer - featuring real time channel matrix operation - USB MIDI control and 2 x stereo in/2 x stereo

out USB audio interface. A slim tabletop design with solid steel chassis, paired with the DJ software of

choice, the DN-MC6000 is a complete turnkey control solution. Next up is the Denon DN- X600, a highly

spec’d 2-channel performance mixer, optimized for both traditional vinyl techniques and the latest digital

media and computer DJ systems, which offers levels of technology and performance comparable with

Denon’s flagship 4-channel models.

Solid steel chassis construction, professional grade components and powerful USB MIDI capabilities make

this a robust gigging tool, equally at home, in the booth, or the studio. Finally, Denon dropped the DN-

SC2000, an affordable, professionally spec’d and constructed MIDI controller for Native Instruments®

TRAKTOR(TM) Pro, providing a serious portable control solution for laptop DJs. A dual layer system, the

DN-SC2000 provides simultaneous switchable control of both TRAKTOR decks, with visual deck color

change.’

Cited with permission from: TILLLATEMAGAZINE.COM

KEEPING THE BEAT TECHNICAL!!

SCOTT GRANGER